Last night I decided that I would watch the famous Quentin Tarantino film Inglourious Basterds. I have to say I was taken away by the amount of gore and bloody action and even covered my own eyes at times when it was extremely graphic. I didn’t realise it was an 18 until I started watching it, and by then I was already intrigued.
I wanted to see this movie for a while because in class when doing research on film openings, Sir showed us the opening of Inglorious Bastards, I was hooked! I’m not usually a fan of gore films, as that is how I would describe this one. However, I have to say I really enjoyed it, Quentin Tarantino is an excellent director and his technique of filming shots was so slick and fresh!
The plot of the film is about a Jew, Shosanna who, in 1941, witnesses the murder of her own family by ‘Jew hunter’ SD standartenfuhrer Hans Landa and his men, and narrowly escapes her death. She escapes and flees to Paris where she takes a new identity as a cinema owner and her friend who is black helps her in this business. He is the only other person on the planet she trusts.
The Basterds are a group of Jews who hunt the Nazis and kill them as they have incredible hatred for Hitler and his Nazis. In the Bastards, there is the leader Aldo Raine who recruits eight Jewish-American soldiers for a mission behind enemy lines, telling them they each owe him 100 Nazi scalps and will take no prisoners. For the Nazis he frees and doesn’t kill, if they have told him the Nazis plans, Aldo carves a Swastika into the forehead of the men, displaying how if they have worn the uniform, they will always be a Nazi as its imprinted on their skin.
In 1944, Shosanna adopts her new identity as “Emmanuelle Mimieux” and runs her cinema with Marcel, her lover and friend who is black. She meets Fredrick Zoller, a German sniper whose exploits are to be celebrated in a Nazi propaganda film in which he stars. She hates him, however it is clear that he sees her as a possible lover and keeps trying to see her and visit her. He has no idea she is actually a Jew and she has to act completely calm at all times even though her hatred for him and anger towards the Nazis grows. Attracted to Shosanna, Zoller convinces Joseph Goebbels to hold the premiere at her cinema. Shosanna seizes the opportunity, as her and Marcel devise a plot to burn down her cinema and kill the top Nazi leaders at the premiere.
During the screening, Zoller slips away to the projection room to see Shosanna, who rejects his advances and he becomes angry and seems to take a violent approach but then has Zoller lock the door which he does instantly as he thinks hes going to get some. He closes the door with his back turned, and she fatally shoots him, however he is not dead and he manages to turn and fatally shoot her as well. They both lie motionless on the projection room floor. Meanwhile, Ulmer and Donowitz, Aldo’s Basterds, manage to kill the soldiers guarding Hitler, as they are at the premier to try and end the war aswell, and kill the top leaders of the Nazis.
A clip of Shosanna’s cackling in the cinema film informs the audience that they are about to be killed by a Jew. She and Marcel decided that they would do this to manipulate the Nazis and inform them of their defeat by a Jew. Marcel, having locked the cinema with the audience inside, ignites a pile of extremely flammable nitrate film behind the screen of the cinema, which quickly sets fire to the screen leaving the audience in a screaming mess. Ulmer and Donowitz (two of the Basterds) burst into the screening as it burns and machine gun Hitler, Goebbels, and the trapped crowd, until the bombs go off and destroy the cinema killing every person in it.
Aldo and his recruit Utivich were not in the cinema when it was burned down as Hans had kidnapped them to make a deal, yet they take advantage of this and kill Hans’ radio operator and has Utivich collect his scalp. Hans is left angry and vulnerable, Aldo is unable to accept the notion that Hans might go unpunished for his career as a Nazi officer, so he carves a swastika into Hans’ forehead as a permanent reminder of his crimes against the Jews. Proudly inspecting his handiwork, he smiles and says to Utivich that “this just might be my masterpiece”.
The camera work in this film is terrific, using panning, zooming, close ups and symbolism in filming to display character emotion.
Here is the trailer for anyone who is interested in German-American black comedy war films. Do take in that is is an 18, so it is not for the faint hearted and is quite distressing to watch at times.





